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Scopri dove vedere Mega Shark vs Giant Octopus in streaming. Per ogni piattaforma troverai la disponibilità dello streaming di Mega Shark vs Giant Octopus in gratis con pubblicità , abbonamento, noleggio, acquisto e prezzi per la risoluzione in qualità SD, HD, 4K. Trova dove sono disponibili l'audio e i sottotitoli in italiano ITA e inglese ENG. Il film Mega Shark vs Giant Octopus Ú disponibile in gratis con pubblicità su CHILI. Mega Shark vs Giant Octopus Ú disponibile in streaming a noleggio su Google Play; Amazon Prime Video a 1,9⏠per la versione SD, a 2,49⏠per la versione HD. Mega Shark vs Giant Octopus Ú disponibile in streaming con la modalità acquisto su Google Play; Amazon Prime Video a 4,9⏠per la versione SD, a 11,99⏠per la versione HD. Dove vedere in streaming Mega Shark vs Giant Octopus In 3 piattaforme streaming Gratis Abbonamento Noleggio Acquisto CHILI Disponibile Vedilo su CHILI Non disponibile Non disponibile Non disponibile Google Play Non disponibile Non disponibile Disponibile Vedilo su Google Play Disponibile Vedilo su Google Play Amazon Prime Video Non disponibile Non disponibile 1,9⏠SD 2,49⏠HD Vedilo su Amazon Prime Video 4,9⏠SD 11,99⏠HD Vedilo su Amazon Prime Video
Aspiringentrepreneurs pitch various business ideas to "The Sharks" -- tough, self-made, multi-millionaire and billionaire tycoons -- in hopes of landing an investment.
Mega Shark vs. Giant Octopus May 19, 2009 Les cĂŽtes californiennes deviennent le thĂ©Ăątre dâun surprenant mais non moins terrifiant spectacle deux monstres marins, Mega Shark et Octopus, se battent en duel dĂ©truisant tout sur leur passage. Quand lâUS Navy dĂ©cide dâintervenir, le Mega Shark en colĂšre sâattaque aux humains. Emma, une courageuse jeune femme, dĂ©cide de stopper le carnage par tous les moyens.
WatchMega Shark vs. Giant Octopus Streaming Online | Peacock Action 2009 R 1h 28m A battle between two prehistoric sea creatures endangers the California coast. Deborah Gibson, Lorenzo Lamas, Sean Lawlor Watch for Free You May Also Like Frequently Asked Questions How can I watch Mega Shark vs. Giant Octopus?
Scheda Cast Streaming Video Curiosità News Articoli Premi Il film Mega Shark vs. Giant Octopus in streaming legale completo Ú disponibile in italiano su Amazon Prime Video, Chili, Google Play, The Film Club. Per ogni piattaforma streaming scopri se puoi guardare in abbonamento, noleggio, acquisto con prezzi per la versione SD, HD e 4K e con audio e sottotitoli in italiano ITA e inglese ENG. In streaming su Abbonamento Noleggio Acquisto Amazon Prime Video Non disponibile ⏠SD ⏠HD ⏠SD ⏠HD Chili Non disponibile A noleggio SD Non disponibile Google Play Non disponibile ⏠HD ⏠HD The Film Club In abbonamento Non disponibile Non disponibile powered by Filmamo Trama La costa della California Ú terrorizzata da due enormi creature marine d'epoca preistorica che combattono l'una contro l'altra per assicurarsi la supremazia del mare.
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Mega Shark vs Giant Octopus Nachrichten Trailer Besetzung & Stab User-Kritiken Pressekritiken FILMSTARTS-Kritik Blu-ray, DVD User-Wertung 2,3 3 Wertungen - 1 Kritik Bewerte ich sehenKritik schreiben Inhaltsangabe FSK ab 16 freigegeben Vor der kalifornischen KĂŒste treiben zwei prĂ€historische Tiere ihr Unwesen, die beide um die Vorherrschaft im Meer kĂ€mpfen und auch vor menschlicher Beute nicht Halt machen Ein unwahrscheinlich groĂer Hai, der zur Familie der Megalodon gehört, und ein gigantischer Oktopus! Trailer 107 Das könnte dich auch interessieren Schauspielerinnen und Schauspieler Komplette Besetzung und vollstĂ€ndiger Stab User-Kritik iich bin sprachlos!!!!wirklich einfach nur sprachlos!!! iich habe noch nie, aber wirklich noch nie so einen billigen mĂŒll gesehenund ich habe schon einige schlechte/trashige/mistige filme gesehen aber diese film schlĂ€gt dem faĂ wirklich den boden aus. an dem film ist alles einfach nur unterirdisch...darsteller, story, kulissen, sfx...die effekte als sfx zu bezeichnen ist schon lĂ€cherlich...so etwas billiges habe ich noch nicht auf dvd ... Mehr erfahren 1 User-Kritik Bild Weitere Details Produktionsland USA Verleiher KNM Home Entertainment Produktionsjahr 2009 Filmtyp Spielfilm Wissenswertes - Budget - Sprachen Englisch Produktions-Format - Farb-Format Farbe Tonformat - SeitenverhĂ€ltnis - Visa-Nummer - Ăhnliche Filme
MegaShark vs. Giant Octopus (Mega Shark Versus Giant Octopus) est un film amĂ©ricain sorti directement en vidĂ©o et diffusĂ© en 2009 sur Syfy.. Synopsis. Au large de lâAlaska, lâocĂ©anographe Emma MacNeil Ă©tudie la migration des baleines Ă bord dâun sous-marin expĂ©rimental, sans la permission de son employeur. Au mĂȘme moment, un hĂ©licoptĂšre
Synopsis Les cĂŽtes californiennes deviennent le thĂ©Ăątre dâun surprenant mais non moins terrifiant spectacle deux monstres marins, Mega Shark et Octopus, se battent en duel dĂ©truisant tout sur leur passage. Quand lâUS Navy dĂ©cide dâintervenir, le Mega Shark en colĂšre sâattaque aux humains. Emma, une courageuse jeune femme, dĂ©cide de stopper le carnage par tous les moyens. Regarder en Streaming Powered by JustWatch
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MegaShark vs. Giant Octopus Video 2009 R 1 h 28 m IMDb RATING 2.5 /10 11K YOUR RATING Rate Play trailer 1:07 1 Video 39 Photos Action Adventure Comedy The
Watch Now RatingGenresHorror , Science-Fiction Director Cast SynopsisThe California coast is terrorized by two enormous prehistoric sea creatures as they battle each other for supremacy of the Shark vs. Giant Octopus streaming where to watch online?Currently you are able to watch "Mega Shark vs. Giant Octopus" streaming on fuboTV, Hoopla, FlixFling or for free with ads on Peacock, Peacock Premium, The Roku Channel, VUDU Free, Tubi TV, Crackle, Pluto TV. It is also possible to rent "Mega Shark vs. Giant Octopus" on Amazon Video, Microsoft Store, FlixFling online and to download it on Amazon Video, Spectrum On Demand, Microsoft Store, FlixFling. People who liked Mega Shark vs. Giant Octopus also liked Popular movies coming soon Upcoming Horror movies
MegaShark vs. Giant Octopus is available to watch free on Crackle, Plex, The Roku Channel Free, Pluto TV, Tubi TV, Vudu Free, Popcornflix and Peacock. It's also available to stream, download and buy on demand at FlixFling, FuboTV, Peacock Premium, FlixFling VOD and Amazon. Some platforms allow you to rent Mega Shark vs. Giant Octopus for a limited time
If you buy something from a Polygon link, Vox Media may earn a commission. See our ethics statement. The 1979 war film Apocalypse Now is infamous for going over budget, over schedule, and over the top to appease director Francis Ford Coppolaâs every demand. 2009âs Mega Shark vs. Giant Octopus is infamous for ... the exact opposite reasons. Pumped through the direct-to-video company The Asylumâs âmockbusterâ pipeline for a fraction of a fraction of the cost of a typical tentpole, the movie delivers just enough to validate the marquee-friendly title. Today, Apocalypse Now is revered as one of the great American films. Mega Shark vs. Giant Octopus floats through streaming libraries and provides the internet with big floppy CG shark memes. But was pulling it off any less of a feat than Coppolaâs blood-sweat-and-tears epic? Someone has to treat the Mega Shark vs. Giant Octopuses like their own personal Apocalypse Now, and writer-director Jack Perez was up for such a challenge. His early work in the 1990s, shooting behind-the-scenes documentaries on the sets of Carlitoâs Way, The Flintstones, and Hard Target, eventually put him on the radar of Sam Raimi, who hired him to direct Herculesâ backdoor pilot for Xena. By then Perez had directed an indie feature, the found-footage-before-found-footage-was-a-thing horror flick Americaâs Deadliest Home Video, had stop-motion animation skills in his back pocket, and knew his way around a commercial set. The future was bright enough; Perez spent the â90s and 2000s bouncing between indie features and gigs-for-hire like Wild Things 2 and MTVâs TV movie Monster Island. Mega Shark vs. Giant Octopus, which finds a team of oceanographers scrambling to kill two underwater kaiju by luring them into a tentacle-flapping, jaw-snapping fight, was not a passion project. But when Perez signed on, he wanted it to be good â even if the Debbie Gibson-led creature feature was just another cog in The Asylumâs notorious business model. And it seemed to have worked; the movieâs low-rent visual effects and stilted drama mesmerized internet kids, prompting Asylum to produce several Mega Shark sequels. Before the hyper-self-aware gimmicks of Sharknado also an Asylum joint, there was Perez funneling his monster-movie memories from the 1970s into cheapo popcorn entertainment. What did it take to get an Asylum movie wrapped and in the can? Out of morbid curiosity, I phoned Perez to talk about the making of Mega Shark vs. Giant Octopus. [Ed. note This interview was edited and condensed for clarity.] Image The Asylum How did you wind up making Mega Shark vs. Giant Octopus for The Asylum? Jack Perez Iâve always bounced between independent films and more commercial work, depending on what opportunities are presented. The Asylum didnât used to be a low-budget schlock factory â they were originally a distributor of independent movies, if you can believe it. The people there had distributed my second feature called The Big Empty, which was like a character-driven noir. They knew me from that, so when the company became this mockbuster schlock factory, they were looking for directors who could do stuff on a really tight, Roger Corman-style schedule. So if I was ever really low on money or a gig fell through or whatever, I was happy to jump in and do one of these nutty movies. I had been in preparation to do a more personal movie, a bigger budget movie that I had been prepping for a year, and it was ready to go and I was casting and then as it happens, so often in Hollywood, all the financing fell apart. I found myself like, âOh, shit, how am I going to pay the rent?â So I picked up the phone and called The Asylum and said, âWhat do you got? I need something for this month.â They said, âWell, can you write and direct a versusâ monster movie in a couple of weeks and shoot in a couple of weeks?â And I was like, âYes, of course!â How did you land on Mega Shark and Giant Octopus? Where do you start on a movie like this? I have a long love of monster movies â the films of Ray Harryhausen, King Kong, and, all the Godzilla movies were things that I was raised on as a kid. So itâs very easy for me to sort of open up that reservoir and reconstitute all those tropes and things that I love into whatever was necessary. But at the time, The Asylum basically had a distribution deal for VHS and DVD. Basically the distributor said, âWe need a versusâ monster movie, can you guys do that kind of thing?â They said yes, and basically turned to someone like me to do it. At the time, they just had âMega shark vs. Giant Squidâ on paper â I donât know if that came from 20,000 Leagues Under the Sea. But then as I was writing it, they were like, âNo, itâs an octopus,â which didnât really change it very much. The whole idea of âMega versus Giantâ is essentially taking Jaws and making it 500 feet tall. Because there was already a subgenre of shark movies in the wake of Jaws â Mako The Jaws of Death, Tintorera Killer Shark, Orca, and all that kind of stuff â it was something that was known. And, I didnât know about this at the time, but there have been documented actual undersea battles between sharks and octopus on occasion! So thatâs what I was given. I wound up adopting a pseudonym at the time, even though ultimately it traced back to me, because the company had a penchant for re-editing. They did exactly that in this case. These movies are made very quickly, and when youâre dealing with so many limitations, production-wise, I find that speed, like tempo, is a way of compensating. A very fast-paced movie will hold your interest so that you canât really scrutinize problems with performance, problems with writing, problems with special effects. The problem with The Asylum is, sometimes they have to meet certain running time lengths, so they re-edit and pad it. So when you watch Mega Shark, my original cut is so much faster and funnier, but they needed it to be like 10 or 15 minutes longer. So the editors went in there and basically opened up the scenes. So you have this preponderance of unnecessary reaction shots and pauses. I canât believe it still bothers me, but itâs like when somebody tries to extend their book report by double spacing. How did you write toward the low-budget goals of the finished project while also making it fun? I had a two-week writing period and then some quick revisions. The stuff needed to be churned out. When you write on that schedule, you basically do the math and say, âHow many pages a day do I need to complete it?â If itâs gonna be 100 pages, you have to write at least six or seven pages a day. Crazy. The producers at The Asylum always had this mandate where they said, âThis has to be written and directed with absolute seriousness.â In other words, you canât poke fun at this stuff. Which, to me, was insane. To be dealing with such extreme limitations, youâre not going to fool anybody, so at every turn I tried to add absurdity into the story in terms of what happened, like the shark biting a plane out of the air, or the shark eating the Golden Gate Bridge. I mean I had one character making reference to Julius Caesar in the middle of the movie. I had things that I threw in the hopes that anybody who was half-aware would realize that the filmmakers were very aware that this was ridiculous, as opposed to being The Room or an Ed Wood movie. One of my favorite things is Thereâs a scene I wrote where theyâre trying to come up with this formula to get the animals to come together to kill each other, some sort of pheromone, and I have this ridiculous little montage where theyâre like basically adding food coloring to beakers and water, trying to solve the chemical equation problem. Some actual chemists got ahold of it, and they posted something on YouTube called âdoing scienceâ and they just show that scene because itâs the most uninformed idea of chemistry. The one thing is, if you make a movie called Mega Shark vs. Giant Octopus, there really should be way more mega shark fighting giant octopus stuff. I would have preferred that they spent a little bit more money and made another, because I wrote way more fighting stuff than whatâs in it. Like, instead of them double-spacing to pad the overall pacing, how about we just do a couple more fight sequences? Because thatâs what people would want to see. But that would end up spending money, and nobody wants to do that. So, I just wrote the most extreme stuff that I could. Knowing that the effects were not going to be photorealistic, the concept of the effect was more important to me. They needed to be the idea of the effect â like a shark jumping out of the ocean eating a plane. It wasnât going to be photorealistic, but at least it would be fun. You shot the movie in 12 days ... how? Itâs insane. I donât wish it on anybody. Funny enough, the schedules have become even shorter. I used every trick in the book. I had made three or four features and TV prior to making Mega Shark, so I picked up a few things. You just have to design the hell out of it. You donât shoot one frame more than you need. You shoot to cut. Mostly itâs just about solving the problems that were inherent in my own script. In the movie, thereâs all this submarine action, but there are no submarine sets flying around. And at least at the time [at The Asylum], there was no construction or production design budget to build a submarine set. So how do you convey a bunch of submarine scenes? I realized one of the stages we were shooting at had a standing sci-fi hallway set Ă la Alien, because there were 25 million Alien knockoffs in the wake of the original. So we had that kind of classic Ridley Scott futuristic corridor, and it was kind of narrow, which is what a submarine is, so I decided to just rent a periscope. We put everybody in sort of Red October jumpers and headsets, and put the periscope dead center, and we thought if we used it as a strong sort of foreground, maybe people would forgive that the rest of it is not a submarine at all, but a hallway. Is the shoot a blur now, or are there some enjoyable memories that stand out? Thereâs a scene at the beginning of the movie where they find a sperm whale thatâs been bitten to pieces. That comes straight from Jaws 2, which I saw as a kid. So the mega shark would attack the biggest whale in the world. Typically, that would be a CGI effect. But I did a foreground miniature as an in-camera effect. We built a foam rubber whale that was about four feet long and set it up in front have the camera. Itâs a classic force-perspective gag â you move the people a block away, and you line it up so that it appears that two are interacting with each other. And itâs an in-camera effect. It looks great! It just works every time. That was like me trying to have some fun because I felt so sort of frustrated at all the limitations. I was like, âIâm going to do something like I would have done when I was like a kid making Super 8 movies.â Everybody got a huge kick out of it, because nobody was accustomed to experiencing in-camera practical effects like that. There were rumors that the movie would be converted and released in 3D, which is kind of unimaginable. Yeah, that was talked about, which is crazy because that technology costs money. You canât fault them for being ambitious in terms of what they want to do. And 3D hadnât quite made a huge comeback, so the idea was really exciting. But I think the movie would have probably had to have been made in four days if they shot it in 3D. Perez on the set of Mega Shark vs. Giant Octopus Photo Courtesy of Jack Perez Iâve also been a film professor for 10 years, and I tell my students that if youâre going to make your first film, and you only have a couple thousand dollars, then do yourself a favor and write something that can be fully realized for the budget. If you only have $2,000, you donât try to make Raiders of the Lost Ark, because itâs just not going to work. But thatâs never stopped The Asylum. Itâs like, âNo, weâll do Jurassic Park, but weâll do it for a $ So you get this weird sort of approximation of something that sort of fits in a DVD sleeve. But The Asylum is just a microcosm of the whole movie business. They know how much money their movieâs going to make. So they donât want to spend a penny more thatâs going to eat into their profit. Even though spending more would yield a better movie, if their primary goal is to make money, then they will sacrifice the quality of the movie and quality effects and the number of days it takes to shoot to ensure that thereâs a return. But if youâre a filmmaker, you donât think in those terms. Youâre thinking, âGive me another shot. Give me one more hour, and I can make the movie better.â The chance to make any movie is rare. If youâre one of those people who makes a movie every year, which is the 1%, then youâre probably not going to have the same appreciation. But, generally, it takes a couple of years between movies. So any opportunity, regardless of the limitations or the story, is an opportunity to play. You can either meet that with professionalism or you can meet it like a bitter brat. So Iâve always been real conscious of that, particularly when I only have like 12 days. Letâs try to make this as good as we can. Mega Shark vs. Giant Octopus is available to stream for free with ads on Peacock, Tubi, and Pluto TV.
MegaShark vs. Giant Octopus May 19, 2009 Les cĂŽtes californiennes deviennent le thĂ©Ăątre dâun surprenant mais non moins terrifiant spectacle: deux monstres marins, Mega
Mega Shark vs. Giant Octopus Horror 2010 1 hr 28 min iTunes Available on Joyn, iTunes Strange things are afoot in the depths of the sea. First a passenger plane vanishes over the Pacific Ocean. Then an oil platform is obliterated. Marine biologist Emma MacNeil Deborah Gibson is dispatched to investigate the phenomena, and, with the help of Japanese scientist Seiji Shimada Vic Chao, she makes a discovery that will rock the world An enormous prehistoric shark and a giant octopus have been awakened from their icy slumbers - and they're hungry. Horror 2010 1 hr 28 min iTunes Ab 12 Jahren Starring Deborah Gibson, Lorenzo Lamas, Sean Lawlor Director Jack Perez
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Watch Now RatingGenresScience-Fiction , Horror Director Cast SynopsisThe California coast is terrorized by two enormous prehistoric sea creatures as they battle each other for supremacy of the Shark vs. Giant Octopus - watch online streaming, buy or rentCurrently you are able to watch "Mega Shark vs. Giant Octopus" streaming on Hoopla, FlixFling or for free with ads on Tubi TV. It is also possible to rent "Mega Shark vs. Giant Octopus" on FlixFling, Microsoft Store online and to download it on Microsoft Store, FlixFling. People who liked Mega Shark vs. Giant Octopus also liked
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